London Open House - part 3, The FCO
Having had an amazing experience with the modern architecture of City Hall, I knew exactly where I wanted to go next, and I decided to walk half way then catch the tube the rest of the way!
I was glad I did the walking part coz I had known there was a big cycling event on in London today, and had seen clusters of folk on bikes, many of them in sponsorship safety vests, but had not seen any of the closed roads I had heard about... On my way to the tube I crossed an overpass and saw hundreds of folk on bikes taking over the streets of London! It was wonderful to see!
We did not ascend the stairs, however, and continued along the same coridoor. All was very pretty and clearly the workmanship was top quality and had been carefully restored, but nothing truly remarkable, expecially to a girl from Marvelous Melbourne! For those of you who don't know it, Melbourne was, for a brief period in the 1860-70s, the wealthiest city in the world, on the floor of money coming in from the Victorian goldfields. The resulting wealth was displayed by banks who wanted to appear more grand and sturdy, or safe, to their prospective customers so some magnificent Neo-Gothic buildings were constructed. Many of them, along Collins Street and Spring Street still stand today, and Melbournians are proud of their rich, Victorian heritage. So, visiting a building of Neo-Gothic architecture, which was entered from the more humble areas, was wonderful and interesting, but not worthy of goosebumps... yet!
The India office has some really lavish details to it, mostly because, at the time it was being built, India was bringing a huge amount of wealth into Britain and the architect of the interiors, Matthew Digby Wyatt, had pretty much a 'bottomless purse' to budget with. The next room I entered was The India Office Council Chamber, and I thought this was lush and beautiful. I was completely taken with the dark, mahogony surfaces, the rich, deep pinks of the curtains and carpets, and the huge marble mantel piece and carving above it. The whole room had been enjanced with much gilding of cornices, wall surfaces, cabinets and even minor details. It had a lot of natural light from the nearby Dunbar court yard, but was also lit by beautiful lamps hung from the ceiling.
As I dragged myself away from this lovely, warm and inviting, yet still business-like room, I mentioned to the guard that I knew what everyone was talking about when they recommended I visit today. He told me, "you ain't seen nothing yet!"
Enthralled I carried on, and when I entered a corridoor which had vaulted ceilings and a deep, rick blue background to gold stars and supporting arches I stopped to take a photograph. The guard seemed amused, and I smiled at him, but a moment later I realised that in my enthusiasm for the narrow corridoor ceiling I had walked past double doors to yet another magnificent saloon. This was more breathtaking than any I had yet been in to! No wonder the guard smiled at my excitement for a mere vaulted ceiling!
The next room, which actually was rather small by comparisson and was a connecting room to two larger ones, was the official dining room of the Locarno Suite. This entire area, I later found out, had all been given false ceilings, the decoration covered up and partitioned off into tiny, artificially lit office spaces. It was now as opulent and rich as it had first been envisaged to be by the original architect, George Gilbert Scott. The colours were very different to the two adjoining rooms, and the room had a very different ambinace to the other two in the suite of three.
From here I entered a real masterpiece! The main, Reception Room of the suite had high, vaulted ceilings which were painted with various constellations and symbols of the zodiac. Their design had been lost long ago, and the renovators of the post-WWI 1920s had used pumice stone to remove most of the decoration in here. To the astonishment, and delight of the restoration team they had failed to complete the tast properly, and there was one section, which together with written descriptions meant they were able to restore this amazing room to it's original design as well. The light poured in through arched windows on both sides of the length of the room, and the effect was almost breathtaking.
This is the room where the the Locarno Treaties, designed to reduce strife and tension in Europe, were signed by all the involved parties, after being initialled at Locarno in Switzerland in October 1925. The only room considered large enough at the time it was rather shaby even then and lots of huge paintings and portraits were hung to cover the decaying decoration on the walls. Of course, this historical moment is where the suite of rooms gets it's current name. So I sighed a contented sigh and left what was surely the last of the magnificent rooms of the tour... but whilst correct in it being the last room, I was not prepared for the hallway and grand staircase beyond it!
The magnificent Grand Staircase contains marble columns, a duplicated split staircase, rich, deep red carpets and magnificent murals all depicting different aspects of England as Brittania! The light in here is again a combination of natural and arificial. I really didn't want to leave after all of this, but I lingered around the sides of the upper level which the public had access to, stopping briefly to admire the informal sitting room of the Foreign Secretary, and then on down the staircase, feeling very underdressed in jeans and a t-shirt, and so out to the huge courtyard through which I had entered over an hour ago! This had been a visit well-worth making, and if any of you are ever in London and have the opportunity to see the FCO I highly recommend it!Labels: cycling, fco, foreign and commonwealth office, freewheel, historical buildings, history, London, london open house, neo-gothic architecture, photography, restored, splendour, victorian

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